Spain, 2012, 16 min
Farapi & Monika Hertlová
In the Basque country, the local distribution of agricultural products plays a very important role. Despite the strong pressure of foreign import, the traditional markets are an inseparable part of every day life of local people. Thus number of family farms has continued with its first-class production until these days. However, work at a farm is usually connected with a man – a man herdsman, a man farmer, a man trader. Eventhough, a woman is an important part of this world, she is usually overshadowed. But how is the everyday reality of a woman – landowner? To make a woman visible in the context of agricultural production was one of the goals of the documentary „Gaur 8 Azokan“, which resulted from the need of local rural women to emancipate, and whose hard work we do not know at all. The complementary character of gender roles within the rural world is shown in the light of anthropological perspective, and at the end, it will be clear that the rural world could never exist without both components – the productive and reproductive, the male and female.
FARAPI is a consulting company of Applied Anthropology residing in San Sebastian in the Basque country. FARAPI deals with public and commercial orders related to social themes (such as gender equality, migration, minority, market research, etc.). The documentary “Gaur 8 Azokan“ is the second audio-visual output of a longitudial survey concerning the current position of women in the context of rural world in the Basque country.
Monika Hertlova cooperated with FARAPI on the production of the documentary during her working stay. She is also a co-author of short documentary “Don´t dig in to us, we are not dead yet“ (2011), which reflects current activities of Scout Movement in the Czech Republic. At the moment, Monika Hertlova works for the Studio of Visual Ethnography on the Department of Anthropology of Faculty of Philosophy and Art of West Bohemia University in Pilsen in the Czech Republic, where she cooperates on the production of other audio-visual films.
Director: Farapi & Monika Hertlová
Production: Asociación de Mujeres Kimetz
Language of dialogues: Spanish, Basque
Language of subtitles: Czech
ČR / PL, 2011, 8 min
Voroneț is one of the best known and the most visited monastery`s in Romania, especially because of church Saint George. On the wall, it has preserved a lot of frescos (murals) from the 15th century with intensive and not so faded colors. Cultural importance of this place has been appreciated by UNESCO as well, when it has added it to its heritage list. The surrealistic image is created by 6 days observations of the place of monastery and surrounded market place, which are crossed real and symbolic ways of people. Intensive perception of the most fascinating mural of Last Judgement creates mosaic confrontation with the mirror of ideas, visions, watched and listened. Voroneț symbolically conceptualizes the way of life, we believe in.
Milan Durňak is a PhD student of Institute of ethnology (Faculty of Arts, Charles University in Prague). He concentrates on the problematic of visual ethnography, especially on the possibilities and limits of anthropological film. He has debuted with Christos Voskres /2007/. ANTROPOFEST 2012 has presented his long-term anthropological trilogy Tumenge /2012/, which was released at ETNOFILM ČADCA 2012, festival of documentary films with ethnological and cultural anthropological themes.
Direction: Milan Durňák
Production: Uniwersytet Szczecinski, Polsko / Erasmus Intensive Programme 2011: "Polish settlements in Europe. Anthropological Visualisations of Cultural Phenomena" / Coordinator Dr. Natalia Maksymowicz, Uniwersytet Szczecinski/
Language of dialogues: -
Language of subtitles: -
ČR, 2013, 150 min
Katedra antropologie ZČU v Plzni
Together with experts we will discuss the question of filmmaking in anthropology: What is ethnographic film? How can its ethnographicness be characterized? Is there any difference between ethnographic film and a video documentary from field research? What are the advantages and limits of ethnographic film in comparison with text as a standard medium of academic production?
Johannes Sjoberg, Granada center, University of Manchester, UK
Jaroslava Panáková, Comenius University, Bratislava, Slovakia
Sophie Wagner, festival Ethnocineca, University of Vienna, Austria
The language of communication is English.