Japan, 2011, 30 min
This film focuses how people share a collective sense of history through the auditory experience. dehong Tai people embrace Theravada Budhism. In ordes to live better in this world and the next, they perform dignified rituals and acquire "merit". For the rituals they spend years and save money, then they do a good deed like contribution of Budhist statues and building the bridges. chief donators commission an intellectual to write historical scriptures to hand down the good deed to posterity. It is called "Lik Yaat" in Tai and written with beautiful words and rhyme. After the cultural revolution, only a few intellectuals can create and chant "Lik Yaat" now. There is a woman, Wan Xiand-ya, who strives for the tradition of "Lik Yaat". She should be their first and last female intellectual who can write "Lik Yaat" in Tai history.
Ito Satotu studied Cultural Anthropology and Ethnomusicology in The Graduate University for Advanced Studies. now he id a Ph.D candidate and Visiting Researcher of National Museum of Ethnology, Osaka. He had done his 3 year fieldwork at tai village in Dehong prefecture, Yunnan Province, China. This film his first Anthropological film.
Director: Ito Satoru
Language of dialogues: Thai language in Dehong area, Yunnan Province, China
Language of subtitles: English, Czech
Launching of film,awards:
The Best Film, debut Competition, 6th Moscow International International Festival of Visual Anthropology (8-12 October 2012, Moscow, Russia)
12th RAI International Festival of Etnographic Film (23-26 june 2011, London, England)
9th WorldFilm - Tartu festival of visual culure (19-25 March 2012, Tartu Estonia)
Spain, 2012, 56 min
Javier Arcos & Javier Jarillo
In Velingara, southern Senegal a group of teeneagers struggle to do theater. To go on stage and be part of the trip that will take them through the region of Casamance, they must fight against their fears and their own families, choosing between tradition and modernity.
Javier Arcos, doctor and filmmaker, is actually combining his work as a filmmaker and as a doctor in health humanitarian emergencies. In 2007 he created the company Synechia Film with Javier Jarillo, filmmaker and producer, specialized in Social Cinema. "Shame in the time of Cholera" is their first feature film. During 2011 they have been working in four documentaries of the International Library of Huanitarian Medicine (in collaboration with World Health Association and the Spanish Agency of Cooperation).
Director: Javier Arios & Javier Jarillo
Production: Sinechia Films
Language of dialogues: French, wolof & poulard
Language of subtitles: English, Czech
Launching of Film:
Festival Internacional de Cine y Video Alternativo y Comunitario "Ojo al Sancocho" (Columbia)
Festival Di Cinema Africand Di verona (Italy)
Montana Cine International Film fetsival (United States)
Spain, 2012, 16 min
Farapi & Monika Hertlová
In the Basque country, the local distribution of agricultural products plays a very important role. Despite the strong pressure of foreign import, the traditional markets are an inseparable part of every day life of local people. Thus number of family farms has continued with its first-class production until these days. However, work at a farm is usually connected with a man – a man herdsman, a man farmer, a man trader. Eventhough, a woman is an important part of this world, she is usually overshadowed. But how is the everyday reality of a woman – landowner? To make a woman visible in the context of agricultural production was one of the goals of the documentary „Gaur 8 Azokan“, which resulted from the need of local rural women to emancipate, and whose hard work we do not know at all. The complementary character of gender roles within the rural world is shown in the light of anthropological perspective, and at the end, it will be clear that the rural world could never exist without both components – the productive and reproductive, the male and female.
FARAPI is a consulting company of Applied Anthropology residing in San Sebastian in the Basque country. FARAPI deals with public and commercial orders related to social themes (such as gender equality, migration, minority, market research, etc.). The documentary “Gaur 8 Azokan“ is the second audio-visual output of a longitudial survey concerning the current position of women in the context of rural world in the Basque country.
Monika Hertlova cooperated with FARAPI on the production of the documentary during her working stay. She is also a co-author of short documentary “Don´t dig in to us, we are not dead yet“ (2011), which reflects current activities of Scout Movement in the Czech Republic. At the moment, Monika Hertlova works for the Studio of Visual Ethnography on the Department of Anthropology of Faculty of Philosophy and Art of West Bohemia University in Pilsen in the Czech Republic, where she cooperates on the production of other audio-visual films.
Director: Farapi & Monika Hertlová
Production: Asociación de Mujeres Kimetz
Language of dialogues: Spanish, Basque
Language of subtitles: Czech