MOVIES
Germany, 2010, 5 min
Alina Trebbin
27.01.2012 22:35
Consuming images is a daily experience. Before learning how to read words, we learn to read pictures. Details are the keys that help us to contextualize, to compose countless notions of the whole from which we now see just the extract contained in a once chosen framing. But are we ever really able to reconstruct past moments depicted in foreign photograph that are someone´s materialized memories? Can we reach a clear undestanding of what should be remembered when already two people looking at a picture see two different picture just as two people with open eyes see two different worlds? Watching a photograph together means to journey on different paths into the past..Still the viewers eyes can meet – in a wine glass on the left bottom corner.
This short film wants to take a look at the limits of photography in reviving bygone moments to the eyes of the stranger who encodes images on the basis of his own memories and undestanding that are more and more interwoven with those of others. We add new layers of meaning to the pictures we consume and create our own truth about situatons we were initially not part of but have become as the present audience. In this way, the strange viewer enriches the unknown photograph just as it enriches him, a process of silent exchange that involves more than just the sense of sight.
Alina Trebbin is a Master´s candidate of Visual and Media Anthropology at Freie Universitat Berlin who researches among other things on the agency of photography. Meet me in memoriam is a short film she contribute to a student film compilation on haptic cinema and transcultueal montage during a Master´s Super8 workshop in 2010.
Director: Alina Trebbin
Production: Florian Walter, Mark Dolling
Language of dialogues: English
Language of subtitles: Germany
Lauching of movie:
Shortcutz Berlin, 2011
EMERGEANDSEE media arts festival Berlin 2011
USA, 2008, 6 min
Jonathan Taee
27.01.2012 18:05
Maurice Merleau-Ponty was a French philosopher who died at the young age of 57 in 1961. His work on Phenomenology opened up a new realm in continental philosophy. He managedto get philosophers to think of the body as a required and fundamental element of existence, rather than a simple vessel that carries the mind. He understood the importance of its fleshy boundaries and its ability to perceive the world through a string of immediate moments. Hisphilosophies have gone on to shape and inform many social theories used in Anthropology.
The film explores the body and the way it experiences the world. Each frame represents a moment, the moment before the body's experiences are captured by the consciousness and given cultural or emotional meanings and interpretations. The body does not sense the world through 5 set senses, feeling, seeing, hearing, tasting and smelling. The raw body senses the world as one big sensing organ. It experiences the world in one immediate relationship of body to world. The body has a synaesthetic sense that operates below the consciousness, as one flesh. This sense speaks through the entire body, using every contour and curve to feel the world it moves through. The raw body is immediate in its experiencing of the world, it is fluid and conversational, ever reading, learning and changing to the world around it.
This film honours the work of Merleau-Ponty, and through the mediums of 16mm, high speed digital film and SLR still imaging, it pays homage our most sensuous and intimate relations to the world around us.
Jonathan is a currently conducting field work in Bhutan for his PhD in Social Anthropology at the University of Cambridge. His current research explores the integration of healthcare in Bhutan and its affects on patients’ healing experiences.Concepts of body, experience and phenomenology have been a constant companion to his work, including the philosophies of Merleau-Ponty. This film was made at the University of Virginia while exploring the philosopher’s ideas of flesh and experience as socially contingent phenomena.
Director and production: Jonathan Taee
Language of dialogues: none
Language of subtitles: none
Launching of movie:
Salmagundi Film Festival, University of Virginia, USA
Ivy Film Festival, USA
Portugal, Great Britain, 2011, 20 min
Ines Ponte
28.01.2012 20:10
My grandparents have known one another since childhood. Of very different characters, the familiarity underpinning their relationship has been crafted through time. Both by the small episodes of everyday life, as well as by the longer duration of their lives.
Ines Ponte was born in 1979, Lisbon, Portugal. Has a degree in Social Anthropology (Portugal, Netherlands), a post-graduation in documentary direction (Portugal), and presently develops work within visual anthropology (United Kingdom). She has worked also as editor, cameraman, production, research and writing assistant of documentary projects in Portugal.
Director: Ines Ponte
Production: Ines Ponte, Granada Centre for Visual Anthropology - University of Manchester
Language of dialogues: Portuguese
Language of subtitles: English, Czech