27.-28.1.2012
INTERNATIONAL FESTIVAL OF MOVIES
WITH ANTHROPOLOGICAL THEMES

Dobeška Theater Prague

Dobeška Theater on map
Official web of Dobeška Theater

INTRODUCTION

Antropofest is an international festival of movies with social anthropological themes.

Festival is held by eponymous NGO, formed by social anthropology graduates. The goal of the festival is to introduce the general audience to the movies that could also be one of the important study instruments of our domain. These specific documents will allow us to learn about the life of various human communities, social groups or individuals around the world.

During the festival we will hold debates on current projections and there will be also other accompanying programme.

We are looking forward to you!

SCHEDULE

27.01.2012

18:00 Opening Ceremony
18:05 Merleau - Ponty
18:10 Capa de Índio
18:35 Break
18:45 Saliendo Adelante
19:25 Memories for sale
19:50 Discussion and break
20:10 Kultura daru
20:55 Discussion and break
22:05 Discussion and break
22:25 Art on the road
22:35 Meet me in Memoriam
22:41 My childhood

27.01.2012

19:10 Discussion and break
21:15 Love story

28.01.2012

12:00 Living like a common man
13:05 Break
13:15 Itelmen stories
14:25 Break
14:35 Room in the square
14:45 Our ground
14:50 Discussion and break
15:15 Cold war neighbours
15:25 Nekopejte do nás, ještě nejsme mrtví
15:50 Discussion and break
16:15 What keeps them going
16:45 Discussion and break
17:10 Tumenge
18:50 Discussion and break
19:15 Shooting Freetown
19:45 Discussion and break
20:10 Tender kisses are hard to find
20:30 Break
20:40 Firekeepers

MOVIES

MEET ME IN MEMORIAM

Germany, 2010, 5 min
Alina Trebbin
27.01.2012 22:35

Consuming images is a daily experience. Before learning how to read words, we learn to read pictures. Details are the keys that help us to contextualize, to compose countless notions of the whole from which we now see just the extract contained in a once chosen framing. But are we ever really able to reconstruct past moments depicted in foreign photograph  that are someone´s materialized memories? Can we reach a clear undestanding of what should be remembered when already two people looking at a picture see two different picture just as two people with open eyes see two different worlds? Watching a photograph together means to journey on different paths into the past..Still the viewers eyes can meet – in a wine glass on the left bottom corner.

This short film wants to take a look at the limits of photography in reviving bygone moments to the eyes of the stranger who encodes images on the basis of his own memories and undestanding that are more and more interwoven with those of others. We add new layers of meaning to the pictures  we consume and create our own truth about situatons we were initially not part of but have become as the present audience. In this way, the strange viewer enriches the unknown photograph just as it enriches him, a process of silent exchange that involves more than just the sense of sight.

Alina Trebbin is a Master´s candidate of Visual  and Media Anthropology at Freie Universitat Berlin who researches among other things on the agency of photography. Meet me in memoriam is a short film she contribute to a student film compilation on haptic cinema and transcultueal montage during a Master´s Super8 workshop in 2010.

Director: Alina Trebbin
Production: Florian Walter, Mark Dolling
Language of dialogues: English
Language of subtitles: Germany

Lauching of movie:
Shortcutz Berlin, 2011
EMERGEANDSEE media arts festival Berlin 2011

MERLEAU - PONTY

USA, 2008, 6 min
Jonathan Taee
27.01.2012 18:05

Maurice Merleau-Ponty was a French philosopher who died at the young age of 57 in 1961. His work on Phenomenology opened up a new realm in continental philosophy. He managedto get philosophers to think of the body as a required and fundamental element of existence, rather than a simple vessel that carries the mind. He understood the importance of its fleshy boundaries and its ability to perceive the world through a string of immediate moments. Hisphilosophies have gone on to shape and inform many social theories used in Anthropology.

The film explores the body and the way it experiences the world. Each frame represents a moment, the moment before the body's experiences are captured by the consciousness and given cultural or emotional meanings and interpretations. The body does not sense the world through 5 set senses, feeling, seeing, hearing, tasting and smelling. The raw body senses the world as one big sensing organ. It experiences the world in one immediate relationship of body to world. The body has a synaesthetic sense that operates below the consciousness, as one flesh. This sense speaks through the entire body, using every contour and curve to feel the world it moves through. The raw body is immediate in its experiencing of the world, it is fluid and conversational, ever reading, learning and changing to the world around it.

This film honours the work of Merleau-Ponty, and through the mediums of 16mm, high speed digital film and SLR still imaging, it pays homage our most sensuous and intimate relations to the world around us.

Jonathan is a currently conducting field work in Bhutan for his PhD in Social Anthropology at the University of Cambridge. His current research explores the integration of healthcare in Bhutan and its affects on patients’ healing experiences.Concepts of body, experience and phenomenology have been a constant companion to his work, including the philosophies of Merleau-Ponty. This film was made at the University of Virginia while exploring the philosopher’s ideas of flesh and experience as socially contingent phenomena.

Director and production: Jonathan Taee
Language of dialogues: none
Language of subtitles: none

Launching of movie:
Salmagundi Film Festival, University of Virginia, USA
Ivy Film Festival, USA

TENDER KISSES ARE HARD TO FIND

Portugal, Great Britain, 2011, 20 min
Ines Ponte
28.01.2012 20:10

My grandparents have known one another since childhood. Of very different characters, the familiarity underpinning their relationship has been crafted through time. Both by the small episodes of everyday life, as well as by the longer duration of their lives.

Ines Ponte was born in 1979, Lisbon, Portugal. Has a degree in Social Anthropology (Portugal, Netherlands), a post-graduation in documentary direction (Portugal), and presently develops work within visual anthropology (United Kingdom). She has worked also as editor, cameraman, production, research and writing assistant of documentary projects in Portugal.

Director: Ines Ponte
Production: Ines Ponte, Granada Centre for Visual Anthropology - University of Manchester
Language of dialogues: Portuguese
Language of subtitles: English, Czech

PARTNERS

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Thank you!

CONTACT

Don't hesitate and ask us or just send your movie (with apllication form) on email: [email protected]