LOOKING AT THEMSELVES: BABALUDA LUDA
Romania, 2012, 33 min
Mihai Andrei Leaha
26.01.2013 18:35
The film is an attempt to question the ways in which the visual narrative is constructed when using the feedback method. The feedback provided by the people involved (the young performers but also the elders) in the Babaluda Feast, turned out to be very important in offering an insight to the ways in which the Feast was depicted by the visual ethnographer. By recoding the shared visual ethnography, that was arranged in big groups in a large screening rooms, but also in small groups in private houses, the film will try to experiment the ways in which the visual narrative is constructed by looking at, the looked at. The montage method of the film will use a chronotopic montage technique (Bakhtin), in which the time and space unity will be enacted in a visual ethnographic present.
Mihai Andrei Leaha is PhD Student in Philology. European Studies Faculty, “Babeş-Bolyai” University, Cluj-Napoca, Cluj, România. Thesis: Visual Ethnography. Restructuring Anthropological Knowledge. Video Researching Romanian Traditional Customs.
Director: Mihai Andrei Leaha
Producton: Triba Film
Language of dialogues: Romanian
Language of subtitles: English, Czech
Launching of film, awards:
The film won the Student award in Goettingen International Ethnographic Film Festival.
It also entered the official selection of Film festivals in Sofia (IFEF 2012), Athens (Ethno Fest 2012) and Ho Chi Minh City ( AnthroFilmFestival 2012)
In the Basque country, the local distribution of agricultural products plays a very important role. Despite the strong pressure of foreign import, the traditional markets are an inseparable part of every day life of local people. Thus number of family farms has continued with its first-class production until these days. However, work at a farm is usually connected with a man – a man herdsman, a man farmer, a man trader. Eventhough, a woman is an important part of this world, she is usually overshadowed. But how is the everyday reality of a woman – landowner? To make a woman visible in the context of agricultural production was one of the goals of the documentary „Gaur 8 Azokan“, which resulted from the need of local rural women to emancipate, and whose hard work we do not know at all. The complementary character of gender roles within the rural world is shown in the light of anthropological perspective, and at the end, it will be clear that the rural world could never exist without both components – the productive and reproductive, the male and female.
