VELINGARA THEATER
Spain, 2012, 56 min
Javier Arcos & Javier Jarillo
25.01.2013 21:40
In Velingara, southern Senegal a group of teeneagers struggle to do theater. To go on stage and be part of the trip that will take them through the region of Casamance, they must fight against their fears and their own families, choosing between tradition and modernity.
Javier Arcos, doctor and filmmaker, is actually combining his work as a filmmaker and as a doctor in health humanitarian emergencies. In 2007 he created the company Synechia Film with Javier Jarillo, filmmaker and producer, specialized in Social Cinema. "Shame in the time of Cholera" is their first feature film. During 2011 they have been working in four documentaries of the International Library of Huanitarian Medicine (in collaboration with World Health Association and the Spanish Agency of Cooperation).
Director: Javier Arios & Javier Jarillo
Production: Sinechia Films
Language of dialogues: French, wolof & poulard
Language of subtitles: English, Czech
Launching of Film:
Festival Internacional de Cine y Video Alternativo y Comunitario "Ojo al Sancocho" (Columbia)
Festival Di Cinema Africand Di verona (Italy)
Montana Cine International Film fetsival (United States)
Samuel was born and raised in Cameroon. He grew up in a society where everyone believed in the existence of witchcraft. Every tragedy and evil was caused by a supernatural being. His childhood was marked by belief in witchcraft and its practices. After five years of studying film production abroad, he returned to his country, this time not to visit his family but to unveil the mysteries and secrets of witchcraft and his childhood nightmares. 
Director Matthew Lancit quit his day job to travel across Cameroon, visiting some of the world’s most joyous funeral celebrations. Throughout his excursion in the foreign countryside, Lancid is taken with the locals’belief that the dead are still roaming the Earth, leading Lancit himself to experience what might be spiritual connection with his own ancestors. Ultimately, Lancit learns about an altogetgher new way to celebrate the dead, their memory, and the way in which they still affect and even interact in our lives.
