France, 2012, 28 min
Maria José Pavlovic
26.01.2013 19:30
S.A.P.E is a acronyme for the Society of Ambience Makers and Elegant People. The followers of this movement are called "sapeurs"; men devoted to elegant dressing originally from the Congo-Brazzaville, West Africa. Part of a sapeur´s achievement is to settle in Paris, the fashion´s capital so there they can become an experimented, recognised sapeur. In Paris they are called "yayas" a lingala expression to name the elderly, those who deserve respect and recognition within the community; those who have made the journey of the S.A.P.E. Through the story of Fuluzioni Di Aluzioni, Annick Bertin "General Firenze" and Chardel Matsanga, this film tries to reveal the main aspects of this congolese practise.
Independent filmmaker and researcher, Maria José Pavlovic was born and raised in Santiago, Chile. She recently finished her studies in Visual Anthropology at the Granada Centre (University of Manchester, 2012). Since 2006, Maria José has worked and collaborated in different documentary films produced in Chile. Based in Paris, "The Yayas de L´Elégance (2012) is her first film. She is currently developing projects in the Congo - Brazaville, Paris and Ireland.
Director: María Chosé Pavlovic
Production:María Chosé Pavlovic, Frédéric Thooris and The Granada Centre for Visual Anthropology (University of Manchester)
Language of dialogues:French
Language of subtitles: English, Czech
Denmark, 2012, 5 min
Peter I. Crawford
25.01.2013 19:35
In some of the diverse cultures of the pacific, especially in Melanesia, the pig is the most important domesticated animal. It is predominantly used for ceremonial purposes such as in funerals, weddings and age-set rituals. Several of the films in the long-term Reef islands Ethnographic Film project thus show the killing of pigs in conjunction with such events, at times giving a some what disturbing impression of human-animal relationships, particularly for audiences uses to see meat only wrapped in cellophane at the local supermarket. In this short film a mummy, daddy, and their little son go out to feed their pigs, conveying the impression of an altogether different human-animal relationship, one of tenderness, care, and love, whilst also showing how children learn through awareness of animals nature and technology.
Peter I. Crawford is a social anthropologist, film-maker and publisher. He has been an active member of the Nordic Anthropological Film Association (NAFA) since the late 1970s. He has written extensively on visual anthropology and ethnographic film-making, and has wide experience in teaching the subject both theoretically and practically. He is currently Professor at the Visual Anthropology Programme at the University of Tromso, Norway and visiting professor at the visual anthropology programme at the Free University in Berlin. Together with Dr. Jens Pinholt of Aarhus University he has led the Reef Islands Ethnographic Film project (Solomon Islands) since 1994 and is producing a number of ethnographic films based on material recorded in 1994, 1996, 2000, 2005 and 2010. His publishing company, Intervention Press (www.intervention.dk), has published numerous book on anthropology and visual anthropology. He lives in Aarhus, Denmark.
Director: Peter I. Crawford
Production: Interventinon Press
Language of dialogues:Aiwo (Reef Islands)
Language of subtitles: English, Czech
Launching of film,awards:
The 32 NAFA International Ethnographic Film Festival, Tromse, Norway, 23-26 August 2012
ČR, 2012, 43 min
Kateřina Bubeníčková & Lenka Vochocová
26.01.2013 15:30
The documentary follows the invasion of inquisitive filmmakers-cum-agroturists in Gerník, a Czech village in the Romanian province of Banát. Members of the team of the Prague-based NGO Inventura, co-authors of the documentary Earthlings, who will you vote for?, travelled to Banát to create a portrait both of a village dying out and of an anthropologist who fights with romantic fantasies about Czech villages in this locality. Is the village, which is being abandoned by whole families who leave for allegedly better life in the Czech Republic, a paradise on Earth, a fully preserved countryside of the 19th century? What do those who stayed think and what were their reasons? How do new media and wind farms fit into the idealized image of the traditional agrarian region?
Kateřina Bubeníčková and Lenka Vochocová work for NGO called „Inventura“. The main aim of this NGO is try to change public ideas about life of people with mental disability and try to integrate these people to the public via visible of their art work.
Director: Kateřina Bubeníčková & Lenka Vochocová
Production: o.s. Inventura
Language of dialogues:Czech
Language of subtitles:Czech