MOVIES
Spain, 2012, 16 min
Farapi & Monika Hertlová
26.01.2013 17:30
In the Basque country, the local distribution of agricultural products plays a very important role. Despite the strong pressure of foreign import, the traditional markets are an inseparable part of every day life of local people. Thus number of family farms has continued with its first-class production until these days. However, work at a farm is usually connected with a man – a man herdsman, a man farmer, a man trader. Eventhough, a woman is an important part of this world, she is usually overshadowed. But how is the everyday reality of a woman – landowner? To make a woman visible in the context of agricultural production was one of the goals of the documentary „Gaur 8 Azokan“, which resulted from the need of local rural women to emancipate, and whose hard work we do not know at all. The complementary character of gender roles within the rural world is shown in the light of anthropological perspective, and at the end, it will be clear that the rural world could never exist without both components – the productive and reproductive, the male and female.
FARAPI is a consulting company of Applied Anthropology residing in San Sebastian in the Basque country. FARAPI deals with public and commercial orders related to social themes (such as gender equality, migration, minority, market research, etc.). The documentary “Gaur 8 Azokan“ is the second audio-visual output of a longitudial survey concerning the current position of women in the context of rural world in the Basque country.
Monika Hertlova cooperated with FARAPI on the production of the documentary during her working stay. She is also a co-author of short documentary “Don´t dig in to us, we are not dead yet“ (2011), which reflects current activities of Scout Movement in the Czech Republic. At the moment, Monika Hertlova works for the Studio of Visual Ethnography on the Department of Anthropology of Faculty of Philosophy and Art of West Bohemia University in Pilsen in the Czech Republic, where she cooperates on the production of other audio-visual films.
Director: Farapi & Monika Hertlová
Production: Asociación de Mujeres Kimetz
Language of dialogues: Spanish, Basque
Language of subtitles: Czech
Denmark, 2012, 5 min
Peter I. Crawford
25.01.2013 19:35
In some of the diverse cultures of the pacific, especially in Melanesia, the pig is the most important domesticated animal. It is predominantly used for ceremonial purposes such as in funerals, weddings and age-set rituals. Several of the films in the long-term Reef islands Ethnographic Film project thus show the killing of pigs in conjunction with such events, at times giving a some what disturbing impression of human-animal relationships, particularly for audiences uses to see meat only wrapped in cellophane at the local supermarket. In this short film a mummy, daddy, and their little son go out to feed their pigs, conveying the impression of an altogether different human-animal relationship, one of tenderness, care, and love, whilst also showing how children learn through awareness of animals nature and technology.
Peter I. Crawford is a social anthropologist, film-maker and publisher. He has been an active member of the Nordic Anthropological Film Association (NAFA) since the late 1970s. He has written extensively on visual anthropology and ethnographic film-making, and has wide experience in teaching the subject both theoretically and practically. He is currently Professor at the Visual Anthropology Programme at the University of Tromso, Norway and visiting professor at the visual anthropology programme at the Free University in Berlin. Together with Dr. Jens Pinholt of Aarhus University he has led the Reef Islands Ethnographic Film project (Solomon Islands) since 1994 and is producing a number of ethnographic films based on material recorded in 1994, 1996, 2000, 2005 and 2010. His publishing company, Intervention Press (www.intervention.dk), has published numerous book on anthropology and visual anthropology. He lives in Aarhus, Denmark.
Director: Peter I. Crawford
Production: Interventinon Press
Language of dialogues:Aiwo (Reef Islands)
Language of subtitles: English, Czech
Launching of film,awards:
The 32 NAFA International Ethnographic Film Festival, Tromse, Norway, 23-26 August 2012
France, 2012, 28 min
Maria José Pavlovic
26.01.2013 19:30
S.A.P.E is a acronyme for the Society of Ambience Makers and Elegant People. The followers of this movement are called "sapeurs"; men devoted to elegant dressing originally from the Congo-Brazzaville, West Africa. Part of a sapeur´s achievement is to settle in Paris, the fashion´s capital so there they can become an experimented, recognised sapeur. In Paris they are called "yayas" a lingala expression to name the elderly, those who deserve respect and recognition within the community; those who have made the journey of the S.A.P.E. Through the story of Fuluzioni Di Aluzioni, Annick Bertin "General Firenze" and Chardel Matsanga, this film tries to reveal the main aspects of this congolese practise.
Independent filmmaker and researcher, Maria José Pavlovic was born and raised in Santiago, Chile. She recently finished her studies in Visual Anthropology at the Granada Centre (University of Manchester, 2012). Since 2006, Maria José has worked and collaborated in different documentary films produced in Chile. Based in Paris, "The Yayas de L´Elégance (2012) is her first film. She is currently developing projects in the Congo - Brazaville, Paris and Ireland.
Director: María Chosé Pavlovic
Production:María Chosé Pavlovic, Frédéric Thooris and The Granada Centre for Visual Anthropology (University of Manchester)
Language of dialogues:French
Language of subtitles: English, Czech