3.-4.3.2020
INTERNATIONAL FESTIVAL OF MOVIES
WITH ANTHROPOLOGICAL THEMES

MASA

Česká republika, 2017, 32 min
M. Pavlásek, I. Bystřičan
03.03.2020 16:30

The mass is a distillation of human evolution, a parable about the treatment of substance, an image of the control over bodies that are hanged on the world’s tissue, or else disgorged from the ocean mass onto dry land, which is interwoven with bodies and the movement of hunters, gatherers, and vagabonds. Our observation of the various forms of abstracted masses, which we become part of at the same time, creates a platform of eternal presence – an active void if you will, which revolves in a closed circle, as though it had neither beginning nor end. What is left is just the stark presence of the traces of bared lives.

Michal Pavlásek  is social anthropologist, university teacher, freelance journalist and documentarist, Turkish coffee lover, researcher at the Institute of Ethnology of the Czech Academy of Sciences, Co-founder of Anthropictures - flexible association of social scientists providing independent field research. In his research focuses on migration and multuculturalism. He is author of movies Searching for the Exit (2016), Another Vojvodovo: thinking in pictures (2013), Time Bows Beneath the Burden of the Grapes. The Past, Czechs and Germans in the Serbian Banat (2012).

Ivo Bystřičan is documentary filmmaker, story-editor and screenwriter. He directed several feature documentary films like Copper Age (2010), My Last 150 000 Cigarettes (2013), Byeway (2014), Mr. Chytil´s Crime (2014), Middle Dusk (2015) and many others. He graduated from sociology at Masaryk University in Brno and documentary filmmaking at FAMU in Prague.

Director, Production, Script: M. Pavlásek, I. Bystřičan
Camera, Edit: I.Bystřičan

Language of Dialogues: English, Greek
Language of subtitles: Czech

SHOOTING FREETOWN

Velká Británie, 2011, 28 min
Kieran Hanson
03.03.2020 11:30

A decade since Sierra Leone's devastating civil war, from the ashes rises a new dawn of creativity in audio-visual media. Inspired by Jean Rouch's ‘shared anthropology’ and ‘ethno-fiction’, Shooting Freetown follows three people forging their way in film and music in the nation's capital, facing the constant struggles with vision and resourcefulness. By incorporating collaborative video projects, their stories give a fresh image of post-war Freetown - presented to the world through their own lens.

Kieran studied visual anthropology (ethnographic film) MA at Manchester University, carrying out his fieldwork in Freetown, Sierra Leone.

Director:Kieran Hanson
Production: Granada centre for Visual Anthropology, University of Manchester
Language of dialogues: English, Krio Language
Language of subtitles: English, Czech

TOUHA ŽÍT

Česká republika, 2019, 25 min
Lucie Knytlová
03.03.2020 15:00

Režie, kamera: Lucie Knytlová (UPa)

Střih, produkce: Lucie Knytlová, Milan Durňak