THE YAYAS DE L´ELÉGANCE
France, 2012, 28 min
Maria José Pavlovic
26.01.2013 19:30
S.A.P.E is a acronyme for the Society of Ambience Makers and Elegant People. The followers of this movement are called "sapeurs"; men devoted to elegant dressing originally from the Congo-Brazzaville, West Africa. Part of a sapeur´s achievement is to settle in Paris, the fashion´s capital so there they can become an experimented, recognised sapeur. In Paris they are called "yayas" a lingala expression to name the elderly, those who deserve respect and recognition within the community; those who have made the journey of the S.A.P.E. Through the story of Fuluzioni Di Aluzioni, Annick Bertin "General Firenze" and Chardel Matsanga, this film tries to reveal the main aspects of this congolese practise.
Independent filmmaker and researcher, Maria José Pavlovic was born and raised in Santiago, Chile. She recently finished her studies in Visual Anthropology at the Granada Centre (University of Manchester, 2012). Since 2006, Maria José has worked and collaborated in different documentary films produced in Chile. Based in Paris, "The Yayas de L´Elégance (2012) is her first film. She is currently developing projects in the Congo - Brazaville, Paris and Ireland.
Director: María Chosé Pavlovic
Production:María Chosé Pavlovic, Frédéric Thooris and The Granada Centre for Visual Anthropology (University of Manchester)
Language of dialogues:French
Language of subtitles: English, Czech
The film is an attempt to question the ways in which the visual narrative is constructed when using the feedback method. The feedback provided by the people involved (the young performers but also the elders) in the Babaluda Feast, turned out to be very important in offering an insight to the ways in which the Feast was depicted by the visual ethnographer. By recoding the shared visual ethnography, that was arranged in big groups in a large screening rooms, but also in small groups in private houses, the film will try to experiment the ways in which the visual narrative is constructed by looking at, the looked at. The montage method of the film will use a chronotopic montage technique (Bakhtin), in which the time and space unity will be enacted in a visual ethnographic present.
Sometimes apparently normal people hide extraordinary and important stories. Roba comes from a remote pastoralist Ethiopian village. Belonging to the Karrayu clan, he grew up among the herders and his path of life was a matter of tradition. However, his passion for school will conduct him through a series of amazing events: the escape to the Capital city, the family conflict, the internal doubts and the hope for reconciliation, a terrible drought in the Karrayu lands, the loneliness of the city life, an unexpected journey to Italy, the death of his brother killed in an ethnic conflict, and finally the coronation of a big dream.
