MOVIES
Romania, 2012, 33 min
Mihai Andrei Leaha
26.01.2013 18:35
The film is an attempt to question the ways in which the visual narrative is constructed when using the feedback method. The feedback provided by the people involved (the young performers but also the elders) in the Babaluda Feast, turned out to be very important in offering an insight to the ways in which the Feast was depicted by the visual ethnographer. By recoding the shared visual ethnography, that was arranged in big groups in a large screening rooms, but also in small groups in private houses, the film will try to experiment the ways in which the visual narrative is constructed by looking at, the looked at. The montage method of the film will use a chronotopic montage technique (Bakhtin), in which the time and space unity will be enacted in a visual ethnographic present.
Mihai Andrei Leaha is PhD Student in Philology. European Studies Faculty, “Babeş-Bolyai” University, Cluj-Napoca, Cluj, România. Thesis: Visual Ethnography. Restructuring Anthropological Knowledge. Video Researching Romanian Traditional Customs.
Director: Mihai Andrei Leaha
Producton: Triba Film
Language of dialogues: Romanian
Language of subtitles: English, Czech
Launching of film, awards:
The film won the Student award in Goettingen International Ethnographic Film Festival.
It also entered the official selection of Film festivals in Sofia (IFEF 2012), Athens (Ethno Fest 2012) and Ho Chi Minh City ( AnthroFilmFestival 2012)
ČR / PL, 2011, 8 min
Milan Durňák
26.01.2013 17:05
Voroneț is one of the best known and the most visited monastery`s in Romania, especially because of church Saint George. On the wall, it has preserved a lot of frescos (murals) from the 15th century with intensive and not so faded colors. Cultural importance of this place has been appreciated by UNESCO as well, when it has added it to its heritage list. The surrealistic image is created by 6 days observations of the place of monastery and surrounded market place, which are crossed real and symbolic ways of people. Intensive perception of the most fascinating mural of Last Judgement creates mosaic confrontation with the mirror of ideas, visions, watched and listened. Voroneț symbolically conceptualizes the way of life, we believe in.
Milan Durňak is a PhD student of Institute of ethnology (Faculty of Arts, Charles University in Prague). He concentrates on the problematic of visual ethnography, especially on the possibilities and limits of anthropological film. He has debuted with Christos Voskres /2007/. ANTROPOFEST 2012 has presented his long-term anthropological trilogy Tumenge /2012/, which was released at ETNOFILM ČADCA 2012, festival of documentary films with ethnological and cultural anthropological themes.
Direction: Milan Durňák
Production: Uniwersytet Szczecinski, Polsko / Erasmus Intensive Programme 2011: "Polish settlements in Europe. Anthropological Visualisations of Cultural Phenomena" / Coordinator Dr. Natalia Maksymowicz, Uniwersytet Szczecinski/
Language of dialogues: -
Language of subtitles: -
PREMIERE!!!
CZ, 2012, 9 min
Pavel Borecký
26.01.2013 16:35
When inhabitants of rainforest walk under its canopy, they see resources for life. The ways of collecting, processing and utilization of these resources are based upon traditional indigenous knowledge which is for „western“ science examined by ethnobotany. The discipline generally focuses on cultural, social and economical relationships between plants and indigenous peoples. Movie camera is during field research used very rarely.Among the other goals of scientific expedition Wayvana Peru 2011 we have strived to answer the question: „Are methods of visual anthropology for preservation of traditional indigenous knowledge applicable? If so, what are pros and cons of this approach?“ The movie is part of „visual ethnobotany“ series and depicts „the story of resource“ piassaba palm (Aphandra natalia).
Pavel Borecký study PhD. program at University of West Bohemia in Pilsen. He directed ethnographis movie called „Gáj“ and he lead ethnobotanic expedition „Wayvana“ to Peru.
Director: Pavel Borecký
Production: Anthropictures, Institut tropů a subtropů ČZU v Praze
Language of dialogues: Spain
Language of subtitles: Czech