MOVIES
Japan, 2011, 30 min
Ito Satoru
26.01.2013 20:20
This film focuses how people share a collective sense of history through the auditory experience. dehong Tai people embrace Theravada Budhism. In ordes to live better in this world and the next, they perform dignified rituals and acquire "merit". For the rituals they spend years and save money, then they do a good deed like contribution of Budhist statues and building the bridges. chief donators commission an intellectual to write historical scriptures to hand down the good deed to posterity. It is called "Lik Yaat" in Tai and written with beautiful words and rhyme. After the cultural revolution, only a few intellectuals can create and chant "Lik Yaat" now. There is a woman, Wan Xiand-ya, who strives for the tradition of "Lik Yaat". She should be their first and last female intellectual who can write "Lik Yaat" in Tai history.
Ito Satotu studied Cultural Anthropology and Ethnomusicology in The Graduate University for Advanced Studies. now he id a Ph.D candidate and Visiting Researcher of National Museum of Ethnology, Osaka. He had done his 3 year fieldwork at tai village in Dehong prefecture, Yunnan Province, China. This film his first Anthropological film.
Director: Ito Satoru
Language of dialogues: Thai language in Dehong area, Yunnan Province, China
Language of subtitles: English, Czech
Launching of film,awards:
The Best Film, debut Competition, 6th Moscow International International Festival of Visual Anthropology (8-12 October 2012, Moscow, Russia)
12th RAI International Festival of Etnographic Film (23-26 june 2011, London, England)
9th WorldFilm - Tartu festival of visual culure (19-25 March 2012, Tartu Estonia)
Denmark, 2012, 5 min
Peter I. Crawford
25.01.2013 19:35
In some of the diverse cultures of the pacific, especially in Melanesia, the pig is the most important domesticated animal. It is predominantly used for ceremonial purposes such as in funerals, weddings and age-set rituals. Several of the films in the long-term Reef islands Ethnographic Film project thus show the killing of pigs in conjunction with such events, at times giving a some what disturbing impression of human-animal relationships, particularly for audiences uses to see meat only wrapped in cellophane at the local supermarket. In this short film a mummy, daddy, and their little son go out to feed their pigs, conveying the impression of an altogether different human-animal relationship, one of tenderness, care, and love, whilst also showing how children learn through awareness of animals nature and technology.
Peter I. Crawford is a social anthropologist, film-maker and publisher. He has been an active member of the Nordic Anthropological Film Association (NAFA) since the late 1970s. He has written extensively on visual anthropology and ethnographic film-making, and has wide experience in teaching the subject both theoretically and practically. He is currently Professor at the Visual Anthropology Programme at the University of Tromso, Norway and visiting professor at the visual anthropology programme at the Free University in Berlin. Together with Dr. Jens Pinholt of Aarhus University he has led the Reef Islands Ethnographic Film project (Solomon Islands) since 1994 and is producing a number of ethnographic films based on material recorded in 1994, 1996, 2000, 2005 and 2010. His publishing company, Intervention Press (www.intervention.dk), has published numerous book on anthropology and visual anthropology. He lives in Aarhus, Denmark.
Director: Peter I. Crawford
Production: Interventinon Press
Language of dialogues:Aiwo (Reef Islands)
Language of subtitles: English, Czech
Launching of film,awards:
The 32 NAFA International Ethnographic Film Festival, Tromse, Norway, 23-26 August 2012
Kanada / Kamerun, 2011, 87 min
Matthew Lancit
26.01.2013 21:10
Director Matthew Lancit quit his day job to travel across Cameroon, visiting some of the world’s most joyous funeral celebrations. Throughout his excursion in the foreign countryside, Lancid is taken with the locals’belief that the dead are still roaming the Earth, leading Lancit himself to experience what might be spiritual connection with his own ancestors. Ultimately, Lancit learns about an altogetgher new way to celebrate the dead, their memory, and the way in which they still affect and even interact in our lives.
Matthew Lancit grew up in Toronto, Canada before leaving for New York to study writting and literature at Sarah lawrence College, and filmmaking at NYU´s Tisch School of the Arts. Most recently, Funeral Season has been chosen for preservation by the Library and Archives of Canada. Lancit currently divides his time between Toronto and Paris.
Director: Matthew Lancit
Language of dialogues: French, English
Language of subtitles: English, Czech
Launching of film, awards:
Rising Star Award, Canada International Film Festival, 2011
Menzioni Speciali, Contro-Sguardi, Italy, 2010
Prix du Premiere Film Professionnel, Traces de Viwe, France, 2011
Award, Dallas Black Film festival, USA, 2011